/tagged/Fashion/page/2
shoomlah:

I’ve been crazy excited to do Tiana- she’s not my favourite princess, but I started researching her dress in the very early stages of this project and got pretty hyped up about it.Most of the dresses in Princess and the Frog do have some historical basis (lots of dropped waists and slinky chemises), so I thought it would be fun to tackle Tiana’s magic-kiss-swamp-frog-something gown during the climax of the film. It’s the one dress that’s clearly meant to just be a standalone “princess” dress, but I liked the idea of a challenge and decided to drag it kicking and screaming back into the 20’s.I based the dress on Lanvin’s robes de style, which were- unlike the flapper dresses most people associate with the Jazz Age- fitted in the bodice with a wide, panniered skirt. The robe de style was considered a relatively conservative dress choice so you probably wouldn’t have seen a hem hiked up this high, but COME ON HOW OFTEN DO I GET TO DRAW THEIR LEGS. Not often enough, I’ll tell you that.-C(Photoshop CS5)
See the rest of the series HERERead the FAQ HEREBuy prints HERE

shoomlah:

I’ve been crazy excited to do Tiana- she’s not my favourite princess, but I started researching her dress in the very early stages of this project and got pretty hyped up about it.

Most of the dresses in Princess and the Frog do have some historical basis (lots of dropped waists and slinky chemises), so I thought it would be fun to tackle Tiana’s magic-kiss-swamp-frog-something gown during the climax of the film. It’s the one dress that’s clearly meant to just be a standalone “princess” dress, but I liked the idea of a challenge and decided to drag it kicking and screaming back into the 20’s.

I based the dress on Lanvin’s robes de style, which were- unlike the flapper dresses most people associate with the Jazz Age- fitted in the bodice with a wide, panniered skirt. The robe de style was considered a relatively conservative dress choice so you probably wouldn’t have seen a hem hiked up this high, but COME ON HOW OFTEN DO I GET TO DRAW THEIR LEGS. Not often enough, I’ll tell you that.

-C
(Photoshop CS5)

See the rest of the series HERE
Read the FAQ HERE
Buy prints HERE

flippinyourfins:


Princess Neptune, Couture hat by Louis Maritte

Photo by Zena Holloway

flippinyourfins:


Princess Neptune, Couture hat by Louis Maritte

Photo by Zena Holloway

I LOVED this dress, I think the real crime was it was only in the first few moments of the movie. :P
charmingages:

rosevintage:

(via pasionporvivir, misselenaeous)

I LOVED this dress, I think the real crime was it was only in the first few moments of the movie. :P

charmingages:

rosevintage:

(via pasionporvivir, misselenaeous)

spinningbirdkick:

Stephane Sedanaoui / Vogue España October 2007.

spinningbirdkick:

Stephane Sedanaoui / Vogue España October 2007.

(via whenmagichappens)

flippinyourfins:

Aww! My display picture*~~
allmermaids:

Photography by Allan Amato, featuring actress Bella Thorne.

flippinyourfins:

Aww! My display picture*~~

allmermaids:

Photography by Allan Amato, featuring actress Bella Thorne.

shoomlah:

I went with the mid 1860’s for Cinderella’s dress, the transitory period where the cage crinoline takes on a more elliptical shape and moves towards the back. Not that it accounts for Lady Tremaine’s sweet 1890’s getup, but it’s also not unheard of to see it worn alongside Anastasia and Drizella’s early bustle dresses. It’s also worth noting that it was made by a fairy godmother, so it make sense that her tastes would be a little behind the times.

shoomlah:

I went with the mid 1860’s for Cinderella’s dress, the transitory period where the cage crinoline takes on a more elliptical shape and moves towards the back. Not that it accounts for Lady Tremaine’s sweet 1890’s getup, but it’s also not unheard of to see it worn alongside Anastasia and Drizella’s early bustle dresses. It’s also worth noting that it was made by a fairy godmother, so it make sense that her tastes would be a little behind the times.

(via notsoplainbutinsanejane)

omgthatdress:

Boué Soeurs court dress ca. 1928 via The Costume Institute of the Metropolitan Museum of Art

omgthatdress:

Boué Soeurs court dress ca. 1928 via The Costume Institute of the Metropolitan Museum of Art

(via societycottontail)

ornamentedbeing:


In McQueen’s Words
“I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes… . That’s mundane and it’s old hat. Let’s break down some barriers.”
Nylon, February 2004

ornamentedbeing:

In McQueen’s Words

“I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes… . That’s mundane and it’s old hat. Let’s break down some barriers.”

Nylon, February 2004

ornamentedbeing:

Alexander McQueen (British, 1969–2010)EnsembleVOSS, spring/summer 2001Overdress of panels from a nineteenth-century Japanese silk screen; underdress of oyster shells; neckpiece of silver and Tahiti pearlsNeckpiece by Shaun Leane for Alexander McQueen courtesy of Perles de TahitiDress courtesy of Alexander McQueenPhotography by Sølve Sundsbø

ornamentedbeing:

Alexander McQueen (British, 1969–2010)
Ensemble
VOSS, spring/summer 2001
Overdress of panels from a nineteenth-century Japanese silk screen; underdress of oyster shells; neckpiece of silver and Tahiti pearls
Neckpiece by Shaun Leane for Alexander McQueen courtesy of Perles de Tahiti
Dress courtesy of Alexander McQueen
Photography by Sølve Sundsbø

(via societycottontail)

shoomlah:

I’ve been crazy excited to do Tiana- she’s not my favourite princess, but I started researching her dress in the very early stages of this project and got pretty hyped up about it.Most of the dresses in Princess and the Frog do have some historical basis (lots of dropped waists and slinky chemises), so I thought it would be fun to tackle Tiana’s magic-kiss-swamp-frog-something gown during the climax of the film. It’s the one dress that’s clearly meant to just be a standalone “princess” dress, but I liked the idea of a challenge and decided to drag it kicking and screaming back into the 20’s.I based the dress on Lanvin’s robes de style, which were- unlike the flapper dresses most people associate with the Jazz Age- fitted in the bodice with a wide, panniered skirt. The robe de style was considered a relatively conservative dress choice so you probably wouldn’t have seen a hem hiked up this high, but COME ON HOW OFTEN DO I GET TO DRAW THEIR LEGS. Not often enough, I’ll tell you that.-C(Photoshop CS5)
See the rest of the series HERERead the FAQ HEREBuy prints HERE

shoomlah:

I’ve been crazy excited to do Tiana- she’s not my favourite princess, but I started researching her dress in the very early stages of this project and got pretty hyped up about it.

Most of the dresses in Princess and the Frog do have some historical basis (lots of dropped waists and slinky chemises), so I thought it would be fun to tackle Tiana’s magic-kiss-swamp-frog-something gown during the climax of the film. It’s the one dress that’s clearly meant to just be a standalone “princess” dress, but I liked the idea of a challenge and decided to drag it kicking and screaming back into the 20’s.

I based the dress on Lanvin’s robes de style, which were- unlike the flapper dresses most people associate with the Jazz Age- fitted in the bodice with a wide, panniered skirt. The robe de style was considered a relatively conservative dress choice so you probably wouldn’t have seen a hem hiked up this high, but COME ON HOW OFTEN DO I GET TO DRAW THEIR LEGS. Not often enough, I’ll tell you that.

-C
(Photoshop CS5)

See the rest of the series HERE
Read the FAQ HERE
Buy prints HERE

flippinyourfins:


Princess Neptune, Couture hat by Louis Maritte

Photo by Zena Holloway

flippinyourfins:


Princess Neptune, Couture hat by Louis Maritte

Photo by Zena Holloway

eclektic:

Lili Cole by Tim Walker

eclektic:

Lili Cole by Tim Walker

(via enchantingimagery)

I LOVED this dress, I think the real crime was it was only in the first few moments of the movie. :P
charmingages:

rosevintage:

(via pasionporvivir, misselenaeous)

I LOVED this dress, I think the real crime was it was only in the first few moments of the movie. :P

charmingages:

rosevintage:

(via pasionporvivir, misselenaeous)

spinningbirdkick:

Stephane Sedanaoui / Vogue España October 2007.

spinningbirdkick:

Stephane Sedanaoui / Vogue España October 2007.

(via whenmagichappens)

flippinyourfins:

Aww! My display picture*~~
allmermaids:

Photography by Allan Amato, featuring actress Bella Thorne.

flippinyourfins:

Aww! My display picture*~~

allmermaids:

Photography by Allan Amato, featuring actress Bella Thorne.

shoomlah:

I went with the mid 1860’s for Cinderella’s dress, the transitory period where the cage crinoline takes on a more elliptical shape and moves towards the back. Not that it accounts for Lady Tremaine’s sweet 1890’s getup, but it’s also not unheard of to see it worn alongside Anastasia and Drizella’s early bustle dresses. It’s also worth noting that it was made by a fairy godmother, so it make sense that her tastes would be a little behind the times.

shoomlah:

I went with the mid 1860’s for Cinderella’s dress, the transitory period where the cage crinoline takes on a more elliptical shape and moves towards the back. Not that it accounts for Lady Tremaine’s sweet 1890’s getup, but it’s also not unheard of to see it worn alongside Anastasia and Drizella’s early bustle dresses. It’s also worth noting that it was made by a fairy godmother, so it make sense that her tastes would be a little behind the times.

(via notsoplainbutinsanejane)

omgthatdress:

Boué Soeurs court dress ca. 1928 via The Costume Institute of the Metropolitan Museum of Art

omgthatdress:

Boué Soeurs court dress ca. 1928 via The Costume Institute of the Metropolitan Museum of Art

(via societycottontail)

(Source: hautekills)

ornamentedbeing:


In McQueen’s Words
“I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes… . That’s mundane and it’s old hat. Let’s break down some barriers.”
Nylon, February 2004

ornamentedbeing:

In McQueen’s Words

“I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes… . That’s mundane and it’s old hat. Let’s break down some barriers.”

Nylon, February 2004

ornamentedbeing:

Alexander McQueen (British, 1969–2010)EnsembleVOSS, spring/summer 2001Overdress of panels from a nineteenth-century Japanese silk screen; underdress of oyster shells; neckpiece of silver and Tahiti pearlsNeckpiece by Shaun Leane for Alexander McQueen courtesy of Perles de TahitiDress courtesy of Alexander McQueenPhotography by Sølve Sundsbø

ornamentedbeing:

Alexander McQueen (British, 1969–2010)
Ensemble
VOSS, spring/summer 2001
Overdress of panels from a nineteenth-century Japanese silk screen; underdress of oyster shells; neckpiece of silver and Tahiti pearls
Neckpiece by Shaun Leane for Alexander McQueen courtesy of Perles de Tahiti
Dress courtesy of Alexander McQueen
Photography by Sølve Sundsbø

(via societycottontail)

About:

Inspiration through quotes, lyrics, and pretty pictures of things that help inspire me and my artwork.

For my darker side, see http://horrorsurvivor.tumblr.com/

Disclaimer: Unless specifically noted, none of the pictures or content belongs to me. I try absolutely whenever possible to properly credit and link to the original owner. If you would like me to take something down, please feel free to leave a comment.

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